As part of the project, I also produced a pdf booklet, showing a more complete collection of images of the conservation process. The whole project took about 10 hours, altho producing the booklet consumed more than 3 of those hours.
Front cover, before and after. Not a huge change. Pencil marks and spots removed, and stains made less noticeable.
The bottom of the spine was quite worn. Matching and replacing/repairing this fabric would not have generated any structural enhancements, and it would have been difficult, time consuming, and costly, so it remained undone. Choices, eh?
The cover's edges were very worn on the bottom and front, and the corners had become rounded and mushy.
I stabilized the corners and edges, and restored the color (more or less) using non-fugitive India ink. In a one step process, the ink, made of shellac, seals and hardens the mushy edges, while adding color. With a little experimentation I produced a combination of colors that matched the existing cover papers fairly well.
Inside, the hinges were splitting, exposing old, deteriorated gauze, which was all that still held the book body in the cover. The end papers (the "Starry Night" design), naturally, were ripped the length of the boards. The edges were all crinkled and squirreled up, but fortunately, with a little care, I was able to unravel them. The results weren't bad.
Once I cut the gauze, I could get at the inner spine of the book, first to clean out the old, acidic paper, gauze, and crud, then to build a new hinge, using unbleached muslin and Japanese paper.
No comments:
Post a Comment