Venus, Ishtar, Inanna,2

The Innonna image featured in my previous post is now nearly completed. Here are a few images, focusing in on details...

The complete image:

Focusing in on her corona:

Focusing in on her genetically woven garments:

Venus, Ishtar, Inanna

I am working on my next, and probably the last image for my upcoming ebook, The Song ov Elmallahz Kumming, Bouk 3. Here it is emerging from the unconscious...

Venus/Innonna (Inanna), walking around her home, the Louvre:

I conjure you, Innonna, to come alive...

The image is not complete, altho the portraiture is done. Now the energy waves must be revealed.

Innonna, divine mother, divine whore

I am closing in on completing another image for my ebook edition of the poem The Song ov Elmallahz Kumming, Bouk 3. This image shows Innonna (Inanna/Ishtar), modified from the carved relief from Sumeria, now in the British Museum, and known as The Queen of the Night.

The image accompanies the following lines in my poem:

We loukt up tu Innonna,
     We hu wer lost,
     Hu wer livving in a waest,
Tu her hu iz Wilfull
     Az the liyon
     Az the ass;
Huze miend pennatraets
     Like the wind
     Like the flud;
We saw how unlike she wuz tu us
And koud not take owr eyz frum her boddee.

We saw how unlike she wuz tu us
And we ternd owr harts tu konker.

Here are 5 versions of the image. Do you prefer one above the others? Your general or critical feedback on the images is welcome and desired.

Outtakes from my latest ebook

Here are a few of my favorite outtakes, images I created while preparing my latest ebook, The Song ov Elmallahz Kumming, Bouk 2. They are mostly transformed panels from Assyrian bas reliefs.

1. From Ashur, an eagle headed being, possibly a protecting spirit:

2. Ashurbanipal, hunting:

3. Another eagle headed winged mangod from Ashur:

4.  Assyrian winged lion, depicting the battle between Marduk and Tiamat:

5.  Ancient Assyrian warriors and horses; I extracted the horses, and then doubled the number of them:

6. Assyrian slingers, attacking Lachish:

4 images for Elmallah, Bouk 2

I am now preparing the manuscript (e-script? since little is being done by manu, hand, beyond keyboarding) for The Song ov Elmallahz Kumming, Bouk 2. All the audio is done - readings of the stanzas - so the reader can also listen to the text.

I am now preparing the images, most of which are based on cave paintings and ancient bas reliefs, in keeping with the setting of the poem, which takes place on the edge of prehistory, just before the emergence of powerful city-states and their conflicts with hunter-gatherer societies. We see Ertha being inspired by Elmallah.

Below are the first completed images. Your feedback, as ever, is of great value to me.

To accompany the introductory text, "Concerning Bouk 2: for Ertha it is set in a prehistoric moment, a timeless period from which she is emerging as she experiences a glorious expansion of her consciousness," this image:

 
The poem begins. With these lines from stanza 2:
   Befor I had seen the endz ov my luv
   And the fewcher chaenjez that I wuz impregnen,
   I left Erthaz prezzens
   Tu pray tu owr Lor
   And wen I reternd she wuz gon.

this image:

With these lines from stanza 7,
   Wen I reecht owt tu her
   With so much wizdem and no expeer
this image:

And finally, to accompany these lines from stanza 8,
   She ran awway like a woonded liyon
   And dissappeerd in a kovert.
this image:

I'll keep you posted as the project proceeds. Please keep me posted with your thoughts and impressions.

Alkemmek Man and Chaenjing Fasez

I've just finished the last two big pieces that will accompany the poetic text for my soon-to-be published ebook, The Song ov Elmallahz Kumming, Bouk 1.
Here is a 30 second extended moment of Elmallah, the messenger of the Lor, experiencing the existential crisis of human thought and emotion, as he descends from his heavens into Ertha. It is entitled, Alkemmek Man, Storm ov Ertha:

And this silent, 12 second video, shows two of the multiple, superposing identities of Ertha, as they morph states. It is entitled Chaenjing Fasez: